System Issue No. 25 System For Anderson

For Anderson

Edward Enninful

New York magazine’s The Cut

he reflects on how those early influences shape his balancing of Mugler’s theatrical heritage with a modern sensibility attuned to our times

System Issue No. 25 System For AndersonSystem Issue No. 25 Spring Summer 2026 344 pages One of the most compelling aspects of Jonathan Andersons first year at Dior has been the way he distorts and collapses notions of time. Since his arrival, the pendulum has swung between 18th century Chardin paintings, late 20th century Warhol portraits of Lee Radziwill and Jean Michel Basquiat, and the new campaign imagery he creates for the house with David Sims, already forming the visual imprint of