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a central figure in Addis Ababa’s fertile musical landscape during the 1970s
melodic and quietly defiant
but they ignite the imagination in ways that are more satisfying than full-colour shots would be
Meanwhile he had called a halt to his work with Yellow Magic Orchestra
BIKINI KILL - I LIKE F**KING / I HATE DANGER NATHAN FAKE a central figure in AddisOriginally released in 1995 and long out of print, I Like F**king I Hate Danger distils Bikini Kills raw, unfiltered approach into a short, direct burst of riot grrrl energy. Across these tracks, the band lean into jagged guitars, urgent rhythms and confrontational vocals, delivering songs that feel immediate and uncompromising. Its a snapshot of their most abrasive and minimal side, where message and momentum take priority over polish, reinforcing
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