Nadja Wolfgang every being

every being

Covering themes of anxiety

who later vanished without explanation

struggles with self-image and cultural confusion while Samad’s twin sons

Nadja Wolfgang every beingA new translation of one of the defining works of French Surrealism, Nadja is an autobiographical novel that is at once a tumultuous love story and an exploration of the surreal in everyday life. In Paris, fall 1926, Andr Breton met a young provincial woman who called herself Nadja the beginning of hope, in Russian, she said. Their brief, intense affair became the seed for this extraordinary book, written a year later after Nadja was institutionalized